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Rebecca Russell - Romance Author

 

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THE MOST IMPORTANT VOICE OF ALL

CONTESTS-ARE THEY WORTH IT?

THE MOST IMPORTANT VOICE OF ALL

By Rebecca Russell

 

      Voice remains a rather ambiguous topic to me. As writer’s, we hear a lot about voice and it’s importance, but even some published writers can’t tell you what their voice is or how to go about developing one. 

      Our characters have voices, which we strive to make unique.  We work hard to ensure what they’re saying, thinking and feeling is believable and compelling.

      But another voice exists that is often ignored. You know the voice I mean-that silent but nagging sensation that tells you when something isn’t quite right. My inner voice manifests itself as a knot in my stomach or sleepless nights, and my “should” list has given me plenty of both.

      During my twelve years of writing, I’ve heard that if you’re serious about getting published you should:

       -write down affirmations and read them several times a day

      -finish the book

      -write the book of your heart

      -treat your writing like a job

      -set a goal of writing so many pages a day

      -join a critique group

      -do whatever it takes to attend the national conference

      The list goes on and on, but you get the idea. I admit to buying into every one of these “shoulds,” and because my goal has always been to get published, I refused to drop some of them long after I knew that they weren’t working for me.

      Don’t get me wrong, an open mind is a good thing. You never know what suggestion will prove useful. For instance, I’ve always been skeptical about affirmations, but when I finally tried it, I experienced amazing results. I’ve never regretted following the advice to finish books or to write from the heart.

      But, some of the other “shoulds” had a very negative effect on my writing. When I treated writing like a job and focused only on getting sold, earning that paycheck, I lost my joy of writing. When I set a goal of so many pages a day and fell short, I felt like a failure and soon had the attitude of “why bother?” 

      I joined a critique group, but for whatever reason we weren’t a good match. I ignored the knots in my stomach because I assumed that’s what a serious writer would do. Finally, I decided to listen to what my body was telling me. I left the group and felt an immediate sense of relief. I’ve since belonged to other critique groups which have been a source of friendship and invaluable feedback.

      If you can manage going to the national conference, that’s great, but many regional conferences offer fantastic workshops and more importantly, editor/agent appointments. Our very own Dreamin’ In Dallas conference is a great example. As a result of an editor appointment two years ago, I sold my first book!

      So, toss out that mental or written “should” list and save yourself some time, frustration and heartache. As you keep an open mind and try new things, remember to trust your own instincts, trust that you know what is best for you.

      Now, can anyone out there tell me how to turn off all these other voices in my head? A minor character in my next book is demanding his own story, and I just heard a song that gave me an idea for another book…

* * *

      I’d like to share a few affirmations that inspired me to begin a new manuscript after a two-year break from writing. I’m thrilled to report that book-RIGHT WHERE HE BELONGS- sold to Silhouette Romance and will be released February 2002.

      *I write because it gives me pleasure. Selling is what happens as a result of doing something I love.

      *I have something important to say and want to share it with others.

      *Writing doesn’t have to be an all or nothing prospect. I owe it to myself to make time for something I enjoy so much.

      *I am so blessed and should give thanks every day.

 

 

CONTESTS-ARE THEY WORTH IT? top of page

By Rebecca Russell

 

      Are contests really worth the time, effort and money involved? Since most of my experiences have been positive, I would have to say “yes.” Although there isn’t a way to guarantee you’ll get your money’s worth out of every contest, there is something you can do to help ensure you get the most out of your contest entry: DO RESEARCH AHEAD OF TIME.

      Discover what type of score sheets the contest provides to the judges. Some allow for a more detailed critique while others shy away from personal comments from the judges. If you’re into numbers, some provide charts with the breakdown of all the entries and where they placed in each category.

      Talk to other writers about their experiences with specific contests. Many times, a chapter relies on a core group of authors to judge, so odds are you’ll end up with many of the same judges. If you hear that a certain contest is known for harsh, unhelpful critiques, you might want to find another.

      If you feel your entry is polished enough to win the contest, why not enter those that promise an editor you’re interested in will be the final judge? After all, if your goal is to get published, getting your work in front of an editor is half the battle.

      Is that how I finally sold? No. In fact, the best I ever did in the countless contests I entered was a tie for third place in the “Romancing the Novel” contest of the Northeast Ohio RWA chapter.

      Why then, am I such a supporter of contests? Because even though I didn’t win, I wasn’t too disappointed because the comments from the judges were so encouraging and helpful. I didn’t even come close to winning “The Emerald City Opener” (hosted by the Greater Seattle Chapter of RWA,) the “Heart of the West Writers Contest” (Utah RWA Chapter,) or the “Melody of Love Contest” (Music City Romance Writers.)  But, these chapters obviously seek out my favorite type of judge--one who praises what you did right and then offers constructive criticism on what can be improved.

      At the very least, each time you enter a contest, you prove you can meet a deadline, an accomplishment in itself. Even better, you might get a critique that affirms your known strengths and defines something you knew wasn’t working, but didn’t know how to fix it. Or you could discover that what was once considered a weakness in a past contest now earns high marks, a concrete sign of growth. Heck, you might even win a contest which leads to you getting published.

      Whatever you do, don’t fall into the trap of polishing your contest entry so much that you never complete your book. An editor is looking for a writer who can write great books, not a great few chapters.

      Will I promise you’ll have a similar positive experience if you enter the same contests I did? Of course not. But if you’re a writer, you’re already a gambler of sorts. There aren’t any guarantees on the road to getting published and none exist once you sell.

      So, write the best chapter(s) you’re capable of writing at this time and hedge your bets. Do your research on the contests, send in your entry, and then roll the dice. Do you really have anything to lose?

 

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